This article aims to analyze sound discourse by converting it into graphic representations. Fundamental parameters of music such as time, intramusical space, intensity, instrumentation, among others, will be captured in the form of images. To achieve this objective, the work La muerte del guerrillero (1968-1969) by the composer Harold Gramatges Leyte-Vidal (Santiago de Cuba, 1918 - Havana, 2008) is studied through a music-graphic analysis. Thus, a practical and effective alternative for the study of music is suggested, since the resulting graphics will help us to better understand the possible meanings of the work.
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